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This one is of a couple whose 1-year wedding anniversary is coming up this October (mine is, too!). I work with the father of the groom, who asked me to do this.
"Fantasy is hardly an escape from reality. It's a way of understanding it." - Lloyd Alexander
Tomie came from a loving family of Irish and Italian background. He had an older brother and two younger sisters. His grandmothers were an important part of his life. Tomie's parents supported his desire to be an artist and to perform on stage. When he expressed an interest in taking dance lessons, he was immediately enrolled, even though it was unusual for a young boy to take dance lessons at that time. (See Oliver Button is a Sissy.) The emphasis in Tomie's family was on enjoying home, school, family and friends, and embracing personal interests and talents.
dePaola received a BFA from Pratt Institute and an MFA from the California College of Arts & Crafts. Between college and graduate school he spent a brief time in a Benedictine monastery. DePaola taught art and/or theater design at the college level from 1962 through 1978 before devoting himself fulltime to children's literature.
DePaola's picture books cover a number of themes/topics. Some of these include: his own life, Christmas and other holidays (religious and secular), folktales, Bible stories, Mother Goose rhymes, and books about Strega Nona. He has also written a number of informational books like Charlie Needs a Cloak, which is the story of the creation of a wool cloak, from shearing a sheep to spinning the wool, weaving the cloth, and sewing the garment. His collections include Mother Goose stories, scary stories, seasonal stories, and nursery tales. His books are characterized by humor and light hearted illustrations, many in a folkart style. DePaola creates his artwork in a combination of watercolor, tempera, and acrylic.
A press conference was held in the Holy See Press Office this morning to present Benedict XVI's forthcoming meeting with artists, which is due to take place in the Sistine Chapel on 21 November.
Among those participating in the press conference were Archbishop Gianfranco Ravasi, president of the Pontifical Council for Culture and of the Pontifical Commission for the Cultural Patrimony of the Church, and Antonio Paolucci, director of the Vatican Museums.
Archbishop Ravasi explained how his dicastery is promoting and organising the meeting, which will coincide with the tenth anniversary of John Paul II's Letter to Artists of 4 April 1999, and the forty-fifth anniversary of Paul VI's meeting with artists of 7 May 1964.
"The aim of the meeting", said the archbishop, "is to renew friendship and dialogue between the Church and artists, and to encourage new opportunities for collaboration".
For his part, Antonio Paolucci explained how the artists invited, their numbers necessarily limited due to the space available in the Sistine Chapel, come from all the continents, "They are", he said, "men and women of different cultures and languages: ... painters, sculptors, architects, writers and poets, musicians and singers, directors and actors from cinema and theatre, dancers".
On the evening of 20 November, before their meeting with the Holy Father on 21 November, the artists will visit the Vatican Museums' collection of modern and contemporary art, which was created at the express wish of Paul VI.
The thing is, I’d been reading comic books since I was five years old and they had been instrumental in teaching me to read. Comic books dealt with major struggles between the forces of good and evil with the fate of the world often at stake. I was reading way above grade level, and actually dreaded class reading times, when we had to read these stories about a boy, a girl and a dog who didn’t seem to ever do much of anything. Chasing a ball around the backyard wasn’t my idea of a ripping yarn.